What is ‘ConianCRAZE?
I, like every engineer or scientist on the planet, always had the knack for taking things apart to see how they worked. My love for guitars came from the fact that I couldn’t afford one. I remember how they started a guitar club in school, and I wanted to join, but we just didn’t have the money. I promised myself that when I got old enough, I would buy a guitar. As with everything that I did, I taught myself, and in the process of doing so, developed a Southern/Country-Bahamian unique style which I call “ConianCRAZE” from Abaconian syncopatic fireside music heard in Abaco, Bahamas.
I had a crave to experiment with the resonance of the guitar and vocal resonance, attempting to marry whatever natural adjustment that could be manipulated from the natural wood vibrating and the simultaneous vocal vibrating. While all musicians seek that goal. I wanted to take it to another level, outside any electronic manipulation, creating the marriage between instrument and vocal resonance (VocaResonance) , thereby creating variations in frequency and tonal resonance, to a similitude of adjustments in the vocal chords, towards the direction of an electronically modified harmonic unison between voice and instrument.
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